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Periods 3 & 4 (SAIL):

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High school social studies only brushes the surface of what there is to know about specific topics. I find many students are interested in subjects that our class calendar does not allow time for. If you are interested in learning more about specific topics, film is a great way to begin. Below I have listed movies having to do with our class content. Please be aware that many of these films take a specific argument and perspective that you may or may not agree with. Also, most, if not all, deal with mature content.

Middle East

Afghan Stories "The modest 61-minute video documentary ''Afghan Stories'' is a subjective response to world events by its maker, Taran Davies, an investment banker who resigned a week after Sept. 11 and left for Afghanistan a few weeks later. He took his video camera and a friend, Walied Osman, a Queens-born American of Afghan descent who would act as interpreter and adviser (and who also has a producer's credit)...The film's view of Afghanistan offers no simple solutions to a complex situation, one that does not seem to have significantly improved since the Taliban's defeat, if the reports coming from that now largely forgotten country are accurate. Nor should it. The answers are in the eyes of the battered Afghan people, and with their cloud of fear and uncertainty -- and brutality, too, in some cases -- they are not at all easy to read." -New York Times

 

Persepolis "A fascinating and wholly unexpected take on Iran’s Islamic revolution beginning in the 1970s, Persepolis is an enthralling, animated feature about a spirited young woman who spends her life trying to deal with the consequences of her nation’s history. Based on an autobiographical comic book by Marjane Satrapi, the story concerns Marji (voiced as a teenager and woman by Chiara Mastroianni), whose natural fire and precociousness are slowly dampened by the rise of religious extremists. Marji grieves over the imprisonment and execution of a beloved uncle, then begrudgingly adapts to ever-tightening rules about dress, social mores, education for women, and expectations about marriage and divorce. Along the way, her grandmother (Danielle Darrieux) and mother (Catherine Deneuve) help keep Marji grounded during her rebellious teens and encourage her to find life beyond Iran’s borders, a decision that proves both a blessing and curse. An unique window onto a crucial chapter of 20th century history, Persepolis is graphically engaging with its black-and-white, bold lines and feeling of repressed energy, fit to burst. The emotional content is so strong that after awhile, one almost forgets the film is a cartoon. Satrapi co-wrote the screenplay and co-directed the film along with animator Vincent Paronnaud." --Tom Keogh (Editorial Review)
 
Kite Runner "In the 70's in Afghanistan, the Pushtun boy Amir and the Hazara boy Hassan, who is his loyal friend and son of their Hazara servant Ali, are raised together in Amir's father house, playing and kitting on the streets of a peaceful Kabul. Amir feels that his wise and good father Baba blames him for the death of his mother in the delivery, and also that his father loves and prefers Hassam to him. In return, Amir feels a great respect for his father's best friend Rahim Khan, who supports his intention to become a writer. After Amir winning a competition of kitting, Hassam runs to bring a kite to Amir, but he is beaten and raped by the brutal Assef in an empty street to protect Amir's kite; the coward Amir witness the assault but does not help the loyal Hassam. On the day after his birthday party, Amir hides his new watch in Hassam's bed to frame the boy as a thief and force his father to fire Ali, releasing his conscience from recalling his cowardice and betrayal. In 1979, the Russians invade Afghanistan and Baba and Amir escape to Pakistan. In 1988, they have a simple life in Fremont, California, when Amir graduates in a public college for the pride and joy of Baba. Later Amir meets his countrywoman Soraya and they get married. In 2000, after the death of Baba, Amir is a famous novelist and receives a phone call from the terminal Rahim Khan, who discloses secrets about his family, forcing Amir to return to Peshawar, in Pakistan, in a journey of redemption." --Claudio Carvalho, Rio de Janeiro, Brazil
 

No end in Sight "Chronological look at the fiasco in Iraq, especially decisions made in the spring of 2003 - and the backgrounds of those making decisions - immediately following the overthrow of Saddam: no occupation plan, an inadequate team to run the country, insufficient troops to keep order, and three edicts from the White House announced by Bremmer when he took over: no provisional Iraqi government, de-Ba'athification, and disbanding the Iraqi armed services. The film has chapters (from History to Consequences), and the talking heads are reporters, academics, soldiers, military brass, and former Bush-administration officials, including several who were in Baghdad in 2003." --Written by jhailey@hotmail.com


 

Kingdom of Heaven "It is the time of the Crusades during the Middle Ages - the world shaping 200-year collision between Europe and the East. A blacksmith named Balian has lost his family and nearly his faith. The religious wars raging in the far-off Holy Land seem remote to him, yet he is pulled into that immense drama. Amid the pageantry and intrigues of medieval Jerusalem he falls in love, grows into a leader, and ultimately uses all his courage and skill to defend the city against staggering odds. Destiny comes seeking Balian in the form of a great knight, Godfrey of Ibelin, a Crusader briefly home to France from fighting in the East. Revealing himself as Balian's father, Godfrey shows him the true meaning of knighthood and takes him on a journey across continents to the fabled Holy City. In Jerusalem at that moment--between the Second and Third Crusades--a fragile peace prevails, through the efforts of its enlightened Christian king, Baldwin IV, aided by his advisor Tiberias, and the military restraint of the legendary Muslim leader Saladin. But Baldwin's days are numbered, and strains of fanaticism, greed, and jealousy among the Crusaders threaten to shatter the truce. King Baldwin's vision of peace--a kingdom of heaven--is shared by a handful of knights, including Godfrey of Ibelin, who swear to uphold it with their lives and honor. As Godfrey passes his sword to his son, he also passes on that sacred oath: to protect the helpless, safeguard the peace, and work toward harmony between religions and cultures, so that a kingdom of heaven can flourish on earth. Balian takes the sword and steps into history." Written by Sujit R. Varma
 
Death in Gaza "Death in Gaza is the tale of a twisted world where the greatest glory is to die a martyr, and of the filmmaker who becomes part of the story he sets out to tell. this poignant and powerful documentary takes a shocking, firsthand look at the culture of hate that permeates the West Bank and Gaza, which helps perpetuate the perennial violence between Palestinians and Israelis. Starting out in the city of Nablus (where as many as 80 percent of suicide bombings are planned), Emmy-winning filmmaker James Miller follows reporter Saira Shah as she attempts to unravel the cycle of violence. Travelling to Gaza they meet three Palestinian children-- two 12-year-old boys and a 16-year-old girl-- who have grown up trapped between the Israeli army and Palestinian militants as their world crumbles around them. The film ends in May of 2003, on a day like many others in this region-- with death-- but on this day the victim is renowned filmmaker James Miller, who is shot dead by an Israeli soldier in the Gaza strip."
 

India

Born into Brothels "Born Into Brothels is a documentary about the inspiring non-profit foundation Kids With Cameras, which teaches photography skills to children in marginalized communities. In 1998, New York-based photographer Zana Briski started photographing prostitutes in the red-light district of Calcutta. She eventually developed a relationship with their children, who were fascinated by her equipment. After several years of learning in workshops with Briski, the kids created their own photographs with point-and-shoot 35 mm cameras. Their images capture the intimacy and color of everyday life in the overpopulated sections of Calcutta. Proceeds from the sale of the children's photographs go to fund their future education. Directed by Briski and filmmaker Ross Kauffman, Born Into Brothels was shown at the Sundance Festival in 2004 as part of the documentary competition." Andrea LeVasseur, All Movie Guide
 

Slum Dog Millionaire "The story of Jamal Malik, an 18 year-old orphan from the slums of Mumbai, who is about to experience the biggest day of his life. With the whole nation watching, he is just one question away from winning a staggering 20 million rupees on India's "Who Wants To Be A Millionaire?" But when the show breaks for the night, police arrest him on suspicion of cheating; how could a street kid know so much? Desperate to prove his innocence, Jamal tells the story of his life in the slum where he and his brother grew up, of their adventures together on the road, of vicious encounters with local gangs, and of Latika, the girl he loved and lost. Each chapter of his story reveals the key to the answer to one of the game show's questions. Each chapter of Jamal's increasingly layered story reveals where he learned the answers to the show's seemingly impossible quizzes. But one question remains a mystery: what is this young man with no apparent desire for riches really doing on the game show? When the new day dawns and Jamal returns to answer the final question, the Inspector and sixty million viewers are about to find out. At the heart of its storytelling lies the question of how anyone comes to know the things they know about life and love." Written by Fox Searchlight Pictures
 


Asia

The Killing Fields "Sydney Schanberg is a New York Times journalist covering the civil war in Cambodia. Together with local representative Dith Pran, they cover some of the tragedy and madness of the war. When the American forces leave, Dith Pran sends his family with them, but stays behind himself to help Schanberg cover the event. As an American, Schanberg won't have any trouble leaving the country, but the situation is different for Pran; he's a local, and the Khmer Rouge are moving in." Written by Murray Chapman

 

 


 

 A State of Mind "For two young girls in North Korea, 13-year-old Pak Hyon Sun and 11-year-old Kim Song Yun, the upcoming Mass Games are a chance to show their love and devotion for North Korea's leader, Kim Jong Il, or as they call him "Dear General." This documentary by Daniel Gordon (The Game of Their Lives) follows the girls' months of rigorous training while shining a spotlight on this country's rather secluded society." Written by Edward Douglas

 

 



 

Africa
 

Cry Freedom is a 1987 feature film directed by Richard Attenborough, set in the late 1970s, during the apartheid era of South Africa. The film was shot in neighboring Zimbabwe, and, although not banned in South Africa, cinemas showing the films were faced with bomb threats. According to the Internet Movie Database, the film was seized by authorities on July 29, 1988. In some cases, there were reports that prints of the films were wrenched off the cinema projectors and the film remained unseen in South Africa until 1991.


 
Hotel Rwanda --The film centers on three children - Rose, a 13-year-old choir singer; Nancy, a 14-year-old dancer; and Dominic, a 14-year-old xylophone player. They are members of the Acholi ethnic group, living in the remote northern Uganda refugee camp of Patongo, which is under military protection from the Lord's Resistance Army, a terrorist group that has been rebelling against the government for the past two decades. In 2005, the camp's primary school won its regional music competition and headed to Kampala to participate in the annual National Music Competition. War/Dance focuses on three of the eight categories: Western choral performance, instrumental music, and traditional dance, where the students perform the Bwola, the dance of the Acholi. Over the course of three months, the film's creative team observes the three youngsters as they prepare for the event and gain their confidence enough to have them discuss the horrors they have experienced and express their individual fears, hopes, and dreams.
 

Invisible Children: The Rough Cut is a film about the plight of child soldiers and night commuters in northern Uganda. The documentary was filmed in 2003 when three young men from Southern California—Jason Russell, Bobby Bailey and Laren Poole (then 24, 21, and 20)—traveled to Sudan "to find a story".

Instead, their adventure took them into the depths of northern Uganda where they discovered thousands of people affected by the brutality and attacks of a rebel group known as the Lord’s Resistance Army (LRA). The documentary chronicles their experience as young Americans learning firsthand about a conflict largely unknown to the international community, while also informing audiences about the great humanitarian crisis of child soldiers.

The film was screened for the first time on June 22, 2004 at the Joan B. Kroc Institute for Peace and Justice at the University of San Diego to friends and family of the filmmakers. Soon after, students across the United States were passing along DVDs of the documentary and wanted to know how to help the children in northern Uganda.

Out of the overwhelming public response, the filmmakers co-founded the nonprofit Invisible Children Inc. – an awareness and development organization.

Jason Russell, Bobby Bailey, and Laren Poole remain instrumental in the success and creativity of the nonprofit and are currently working on the feature film, tentatively scheduled to release in theaters in 2009.
 

Lost Boys of Sudan is a documentary film by Megan Mylan and Jon Shenk about two Dinka boys from Sudan, Santino Majok Chuor and Peter Nyarol Dut, who reached the United States after fleeing the civil war in their country. "Orphaned as young boys" in the Second Sudanese Civil War they "survived lion attacks and militia gunfire to reach a refugee camp in Kenya along with thousands of other children." [1]

The documentary's title “Lost Boys of Sudan” was originally the name given to the group of Southern Sudanese youth by United Nations aid workers who were monitoring their flight from Sudan.
 

God Grew Tired Of Us chronicles the arduous journey of three young Southern Sudanese men, John Bul Dau, Daniel Pach and Panther Bior, to the United States where they strive for a brighter future. As young boys in the 1980s, they had walked a thousand miles to escape their war-ridden homeland, and then had to make another arduous journey to escape Ethiopia.

During the five years they walked in search of safety, thousands died from starvation, dehydration, bomb raids and genocidal murder. Finally, they found relative safety in Kenya’s Kakuma refugee camp. In 2001, 3,600 lost boys, including John, Daniel and Panther, were invited by the United States to live in America. Assisted by Catholic Charities International, the three boys uproot their lives and once again embark on a journey, leaving behind thousands of other refugees who, in the course of their traumatic odyssey, have become their adopted extended family. They must now learn to adapt to the shock of being thrust into the economically intense culture of the United States, learning new customs, adapting to new and strange foods, coping with the ordeal of getting, and keeping a job, or multiple jobs, while never forgetting the loved ones they left behind in Africa. They dedicate themselves to doing whatever they can to help those they left behind in Kakuma, and to discovering the fate of their parents and family.

God Grew Tired Of Us was produced, written and directed by Christopher Quinn, executive produced by Brad Pitt and narrated by Nicole Kidman. The title of the documentary is a quote from John Dau discussing the despair he and other Sudanese felt during the civil war.
 

War Dance The film centers on three children - Rose, a 13-year-old choir singer; Nancy, a 14-year-old dancer; and Dominic, a 14-year-old xylophone player. They are members of the Acholi ethnic group, living in the remote northern Uganda refugee camp of Patongo, which is under military protection from the Lord's Resistance Army, a terrorist group that has been rebelling against the government for the past two decades. In 2005, the camp's primary school won its regional music competition and headed to Kampala to participate in the annual National Music Competition. War/Dance focuses on three of the eight categories: Western choral performance, instrumental music, and traditional dance, where the students perform the Bwola, the dance of the Acholi. Over the course of three months, the film's creative team observes the three youngsters as they prepare for the event and gain their confidence enough to have them discuss the horrors they have experienced and express their individual fears, hopes, and dreams.
 


Latin America
 


Evita
is a musical with music by Andrew Lloyd Webber and lyrics by Tim Rice. It focuses on the life of Argentine political leader Eva Perón, the second wife of Argentinian president Juan Perón. The story follows Evita's early life, acting career, rise to power, charity work, feminist involvement and eventual death.

Evita began as a concept album released in 1976. Its success led to productions in London's West End in 1978, and on Broadway a year later, both of which enjoyed considerable success. A major 1996 film of the musical was made, starring Madonna and Antonio Banderas. A 2006 London revival followed, and the musical has been given numerous professional tours and worldwide productions, and numerous cast albums have been recorded.

 

The Motorcycle Diaries (2004, Spanish: Diarios de motocicleta) is a biopic about the journey and written memoir of the 23-year-old Ernesto Guevara, who would years later become internationally known as the iconic Marxist revolutionary Che Guevara. The film recounts the 1952 journey, initially by motorcycle, across South America by Guevara and his friend Alberto Granado. As the adventure centered around youthful hedonism unfolds, Guevara discovers himself transformed by his observations of the life of the impoverished indigenous peasantry. The road presents Ernesto Guevara and Alberto Granado a genuine picture of the Latin American identity. Through the characters they encounter on the road, Guevara and Granado learn the injustices the impoverished face and are exposed to people they would have never encountered in their hometown. The trip serves to expose a Latin American identity as well as explore the identity of one of its most memorable revolutionaries.
In the Time of Butterflies In a time where people were afraid to even say "Rafael Trujillo" four sisters were brave enough to join the resistance and fight against him until the end. The story of the Mirabal sisters is a story of great bravery and resistance. The Mirabal sisters stood strong and fought for their freedom until the last breath. Thus, they became known as "the Butterflies" or "Las Mariposas" which was their code name during the resistance.